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I used to dream of sitting at Grandpa's piano in an otherwise quiet house, running my fingers along the keys and sending my joy, my anguish or simply my moment of peace winging up Cedar Mountain by way of Chopin or Rachmaninoff. I never did learn how to filter my soul through my fingers. Periodically, I sit down to play a sonatina, sure that the emotion bubbling up inside of me will somehow guide the notes. Inevitably, I stumble on a chord, fracture an arpeggio, and eventually give up in disgust.
For a time, I hoped my voice could carry me where my fingers could not. I studied, practiced, sang concerts and funerals, even taught some wonderful students. I remember two times in particular when I caught a glimmer of the feeling I sought. In preparation for a master class, I finally gave in and learned a German art song full of emotion simmering just barely in control beneath the surface. With the master teacher's whispered coaching in my ear throughout the song, I felt the music and my soul click together for just a few moments. The music swelled, and my voice floated right along with it. I closed the piece, exhilarated by the experience.
Later, I sang in the sanctuary of a cathedral. Huge windows overlooked Lake Champlain, and the audience faded to insignificance in the expanse of wood, concrete and air. A friend had composed a gorgeous arrangement of a favorite spiritual for the occasion, and we joined with a talented oboist. Voice, piano, and oboe danced in and out of the haunting melody. Again, I felt the music and my soul combine.
I have not felt my voice and spirit click in many months, and I doubt I will feel that connection in the same way again. I have come to accept the fact that music is not my calling, though my soul responds to the talent of others. At the same time, this need to write has my fingers traveling keys again. I feel the tug of my soul reaching. More often now, the spirit inside me finds expression, and I feel the exhilarating click. The quest continues.